Amazing read! I liked the distinction you made between Truffaut and Spielberg. But given how subjective film interpretation is, does a director's intent to make an anti-war or pro-war film really matter (e.g. when it's "Danger Zone" playing over slow-motion gunfire in a section of an anti-war film?)
Amazing read! I liked the distinction you made between Truffaut and Spielberg. But given how subjective film interpretation is, does a director's intent to make an anti-war or pro-war film really matter (e.g. when it's "Danger Zone" playing over slow-motion gunfire in a section of an anti-war film?)
Great read